<H2> Collaborations, Water and Light </H2> |
<H2> In Memoriam, Barry Lopez </H2> |
<H2> I Want This to Be True </H2> |
<H2> Phenomenal Listening: The Art of Jason Moran </H2> |
<H2> Collaborations, Water and Light </H2> |
<H2> In Memoriam, Barry Lopez </H2> |
<H2> I Want This to Be True </H2> |
<H2> Phenomenal Listening: The Art of Jason Moran </H2> |
<H2> Features </H2> |
<H2> Art </H2> |
<H2> Reviews </H2> |
<H2> Reviews </H2> |
<H2> News </H2> |
<H2> Past Issues </H2> |
<H2> Newsletter </H2> |
<H3> Winter 2020 </H3> |
<H3> Evidence </H3> |
<H3> On My Therapist, Late in This Life </H3> |
<H3> Picture the Dream: The Story of the Civil Rights Movement through Childr... </H3> |
<H3> College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) </H3> |
<H3> The Lonely Ruralist </H3> |
<H3> Influenza 1918 </H3> |
<H3> Achilles; On Being Thrown from a Horse at 49; & Verge </H3> |
<H3> Jerry’s Dirt (essay) </H3> |
<H3> Collaborations, Water and Light (with an interview by Douglas Carlson) </H3> |
<H3> Picture the Dream: The Story of the Civil Rights Movement through Children’s Books... </H3> |
<H3> Kaleidoscopic Consciousness </H3> |
<H3> “Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview... </H3> |
<H3> A Lower Deep </H3> |
<H3> “What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek) </H3> |
<H3> on Suitor by Joshua Rivkin </H3> |
<H3> on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture by... </H3> |
<H3> on Afropessimism by Frank B. Wilderson III </H3> |
<H3> Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by Bishakh Som) </H3> |
<H3> on Defacing the Monument by Susan Briante </H3> |
<H3> on My Autobiography of Carson McCullers by Jenn Shapland </H3> |
<H3> on Walking Backwards: Poems 1966–2016 by John Koethe </H3> |
<H3> Phenomenal Listening: The Art of Jason Moran </H3> |
<H3> Winter 2020 </H3> |
<H3> Evidence </H3> |
<H3> On My Therapist, Late in This Life </H3> |
<H3> Picture the Dream: The Story of the Civil Rights Movement through Childr... </H3> |
<H3> College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) </H3> |
<H3> The Lonely Ruralist </H3> |
<H3> Influenza 1918 </H3> |
<H3> Achilles; On Being Thrown from a Horse at 49; & Verge </H3> |
<H3> Jerry’s Dirt (essay) </H3> |
<H3> Collaborations, Water and Light (with an interview by Douglas Carlson) </H3> |
<H3> Picture the Dream: The Story of the Civil Rights Movement through Children’s Books... </H3> |
<H3> Kaleidoscopic Consciousness </H3> |
<H3> “Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview... </H3> |
<H3> A Lower Deep </H3> |
<H3> “What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek) </H3> |
<H3> on Suitor by Joshua Rivkin </H3> |
<H3> on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture by... </H3> |
<H3> on Afropessimism by Frank B. Wilderson III </H3> |
<H3> Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by Bishakh Som) </H3> |
<H3> on Defacing the Monument by Susan Briante </H3> |
<H3> on My Autobiography of Carson McCullers by Jenn Shapland </H3> |
<H3> on Walking Backwards: Poems 1966–2016 by John Koethe </H3> |
<H3> Phenomenal Listening: The Art of Jason Moran </H3> |
<H3> Winter 2020 </H3> |
<H3> Day (with an annotation by Blake Butler) </H3> |
<H3> A Door Swings Open </H3> |
<H3> Delivery </H3> |
<H3> Memento Mori </H3> |
<H3> I Want This to Be True </H3> |
<H3> Happiness Is Very Hard (Is It); Dark Eye Circles; & God Knows Our Secret... </H3> |
<H3> No Stories </H3> |
<H3> The Story; Xī’ān Nocturne with Jasmine and Pears; Demolished Landscape with O... </H3> |
<H3> Day (with an annotation by Blake Butler) </H3> |
<H3> A Door Swings Open </H3> |
<H3> Delivery </H3> |
<H3> Memento Mori </H3> |
<H3> I Want This to Be True </H3> |
<H3> Happiness Is Very Hard (Is It); Dark Eye Circles; & God Knows Our Secret... </H3> |
<H3> No Stories </H3> |
<H3> The Story; Xī’ān Nocturne with Jasmine and Pears; Demolished Landscape with O... </H3> |
<H3> Collaborations, Water and Light (with an interview by Douglas Carlson) </H3> |
<H3> Picture the Dream: The Story of the Civil Rights Movement through Children’s Books, 15 August–8 November 2020, The High Museum of Art, Atlanta (featuring an interview with Andrea Davis Pinkney) </H3> |
<H3> Kaleidoscopic Consciousness </H3> |
<H3> “Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview by C.J. Bartunek) </H3> |
<H3> A Lower Deep </H3> |
<H3> “What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek) </H3> |
<H3> “A Starting Point” (with an introduction by Katie Geha) </H3> |
<H3> “As Complicated and Elusive as Reality”: María Berrio’s Many-Layered Collages (with an interview by C. J. Bartunek) </H3> |
<H3> Conjuring the Past: Cy Gavin’s Bermuda Paintings </H3> |
<H3> on Suitor by Joshua Rivkin </H3> |
<H3> on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture by... </H3> |
<H3> on Afropessimism by Frank B. Wilderson III </H3> |
<H3> Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by Bishakh Som) </H3> |
<H3> on Defacing the Monument by Susan Briante </H3> |
<H3> on My Autobiography of Carson McCullers by Jenn Shapland </H3> |
<H3> on Walking Backwards: Poems 1966–2016 by John Koethe </H3> |
<H3> Phenomenal Listening: The Art of Jason Moran </H3> |
<H3> on Children of the Land by Marcelo Hernandez Castillo </H3> |
<H3> on The Prime Anniversary by Jay Wright </H3> |
<H3> on Unsun by Andrew Zawacki </H3> |
<H3> on Frankissstein: A Love Story by Jeanette Winterson </H3> |
<H3> on Suitor by Joshua Rivkin </H3> |
<H3> on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed... </H3> |
<H3> on Afropessimism by Frank B. Wilderson III </H3> |
<H3> Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by... </H3> |
<H3> on Defacing the Monument by Susan Briante </H3> |
<H3> on My Autobiography of Carson McCullers by Jenn Shapland </H3> |
<H3> on Walking Backwards: Poems 1966–2016 by John Koethe </H3> |
<H3> Phenomenal Listening: The Art of Jason Moran </H3> |
<H3> on Children of the Land by Marcelo Hernandez Castillo </H3> |
<H3> on The Prime Anniversary by Jay Wright </H3> |
<H3> on Unsun by Andrew Zawacki </H3> |
<H3> on Frankissstein: A Love Story by Jeanette Winterson </H3> |
<H3> The Georgia Review to Receive $10,000 Grant from the National Endowment for the Arts </H3> |
<H3> Hannah Perrin King Wins 2020 Loraine Williams Poetry Prize </H3> |
<H3> Janisse Ray’s “The Lonely Ruralist” Wins Pushcart Prize </H3> |
<H3> To Our Readers: 9 June 2020 </H3> |
<H3> Jacob Baynham and The Georgia Review Win National Magazine Award </H3> |
<H3> Statement from The Georgia Review on Its Operations during the COVID-19 Pandemic </H3> |
<H3> Winter 2020 </H3> |
<H3> Fall 2020 </H3> |
<H3> Summer 2020 </H3> |
<H3> Spring 2020 </H3> |
<H3> Winter 2019 </H3> |
<H3> Fall 2019 </H3> |
<H3> Summer 2019 </H3> |
<H3> Spring 2019 </H3> |
<H3> Fall 2018 / Winter 2018 </H3> |
<H3> Summer 2018 </H3> |
<H3> Winter 2020 </H3> |
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Cost and overhead previously rendered this semi-public form of communication unfeasible.
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